[91] The saxophonist J. T. Brown played in bands led by Elmore James and by J. [19] However, the Christian influence was far more obvious. La passione per il blues comincia per Roberto Formignani (chitarra, voce) e Antonio D’Adamo (armonica) nel 1981 quando fondano “The Mannish Blues Band“, con la quale ottengono riconoscimenti a livello nazionale (Quelli Della Notte, Pistoia Blues, Milano Blues festival, Aventino Blues, Imola Blues, Ravenna Blues, ecc. His songs, originally distributed only in Europe,[109] commented on political issues such as racism or Vietnam War issues, which was unusual for this period. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called "AAB" pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Blues shuffles or walking bass reinforce the trance-like rhythm and call-and-response, and they form a repetitive effect called a groove. [24] With the popularity of early performers, such as Bessie Smith, use of the twelve-bar blues spread across the music industry during the 1920s and 30s. King and Howlin' Wolf before he moved to Chicago in 1960. "Gradually, instrumental and harmonic accompaniment were added, reflecting increasing cross-cultural contact." Brown played the part of the young James in the documentary. Most artists of the Chicago blues style recorded for the Chicago-based Chess Records and Checker Records labels. John Lee Hooker blended his blues style with rock elements and playing with younger white musicians, creating a musical style that can be heard on the 1971 album Endless Boogie. [129] Almost 30 years later, Mahal wrote blues for, and performed a banjo composition, claw-hammer style, in the 2001 movie release Songcatcher, which focused on the story of the preservation of the roots music of Appalachia. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. [130] He also participated in the rendition of compilations of major blues artists in a series of high-quality CDs. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. Zydeco musicians used electric solo guitar and cajun arrangements of blues standards. Since the 1980s there has been a resurgence of interest in the blues among a certain part of the African-American population, particularly around Jackson, Mississippi and other deep South regions. Culture expert Alan Lomax recorded Edwards in 1942 for the first time. [68] The slide guitar became an important part of the Delta blues. Another development in this period was big band blues. An important label of this era was the Chicago-based Bluebird Records. Carr accompanied himself on the piano with Scrapper Blackwell on guitar, a format that continued well into the 1950s with artists such as Charles Brown and even Nat "King" Cole.[69]. [69] The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Wikipedia Aliases: Dobby Bragg , Easy Papa Johnson , St. Louis Johnny , The Blues Man (2) , The Honey Dripper , Willie Kelly Strongly influenced by Jimmy Reed, swamp blues has a slower pace and a simpler use of the harmonica than the Chicago blues style performers such as Little Walter or Muddy Waters. The blues scale is ubiquitous in modern popular music and informs many modal frames, especially the ladder of thirds used in rock music (for example, in "A Hard Day's Night"). The audience for both blues and jazz split, and the border between blues and jazz became more defined. [104], By the beginning of the 1960s, genres influenced by African American music such as rock and roll and soul were part of mainstream popular music. and the whole world let them peoples go down there free. [47] A form of this pre-blues was heard in slave ring shouts and field hollers, expanded into "simple solo songs laden with emotional content". King, Bo Diddley, Erykah Badu, Eric Clapton, Steve Winwood, Charlie Musselwhite, Blues Traveler, Jimmie Vaughan, and Jeff Baxter. Alan Lomax's recordings of Mississippi Fred McDowell would eventually bring him wider attention on both the blues and folk circuit, with McDowell's droning style influencing North Mississippi hill country blues musicians. The blues scale is often used in popular songs like Harold Arlen's "Blues in the Night", blues ballads like "Since I Fell for You" and "Please Send Me Someone to Love", and even in orchestral works such as George Gershwin's "Rhapsody in Blue" and "Concerto in F". B. He has played and or recorded alongside artists such as Eric Clapton, Buddy Guy, and members of the Allman Brothers Band. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. Performers such as Frank Stokes, Sleepy John Estes, Robert Wilkins, Joe McCoy, Casey Bill Weldon and Memphis Minnie used a variety of unusual instruments such as washboard, fiddle, kazoo or mandolin. The blues was highlighted in Season 2012, Episode 1 of "In Performance at The White House", entitled "Red, White and Blues". Chicago became a center for electric blues from 1948 on, when Muddy Waters recorded his first success, "I Can't Be Satisfied". The style of British blues developed in the UK, when bands such as the Animals, Fleetwood Mac, John Mayall & the Bluesbreakers, the Rolling Stones, the Yardbirds, the supergroup Cream and the Irish musician Rory Gallagher performed classic blues songs from the Delta or Chicago blues traditions. B. The film earned Mahal a Grammy nomination for Best Original Score Written for a Motion Picture and a BAFTA nomination. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio (Albert Ammons, Pete Johnson and Meade Lux Lewis). [121] Gospel music developed in the 1930s, with the Golden Gate Quartet. Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did. Robert William Gary Moore (4 April 1952 – 6 February 2011) was a Northern Irish musician and singer-songwriter. The first publication of blues sheet music was in 1908. [10] Two of the first published blues songs, "Dallas Blues" (1912) and "Saint Louis Blues" (1914), were 12-bar blues with the AAB lyric structure. A lot of the 1970s-era "outlaw" country music by Willie Nelson and Waylon Jennings also borrowed from the blues. [77], In 1920 the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues",[78] and Victoria Spivey, sometimes called Queen Victoria or Za Zu Girl, had a recording career that began in 1926 and spanned forty years. Kentucky-born Sylvester Weaver was in 1923 the first to record the slide guitar style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. [20], The American sheet music publishing industry produced a great deal of ragtime music. Blues performers such as John Lee Hooker and Muddy Waters continued to perform to enthusiastic audiences, inspiring new artists steeped in traditional blues, such as New York–born Taj Mahal. [8] It is in this sense of a sad state of mind that one of the earliest recorded references to "the blues" was written by Charlotte Forten, then aged 25, in her diary on December 14, 1862. The little-recorded Robert Johnson[70] combined elements of urban and rural blues. Ted Nugent often performs "Soul Man" in his live shows, as did Prince during his 2004 Musicology tour. Georgia also had an early slide tradition,[71] with Curley Weaver, Tampa Red, "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. There are also 16-bar blues, such as Ray Charles's instrumental "Sweet 16 Bars" and Herbie Hancock's "Watermelon Man". Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement. Perhaps the most visible example of the blues style of music in the late 20th century came in 1980, when Dan Aykroyd and John Belushi released the film The Blues Brothers. It’s As If “The Blues Man” Was Written Especially For George Jones “The Blues Man” was written entirely by Hank Jr. During the early 1950s, the dominating Chicago labels were challenged by Sam Phillips' Sun Records company in Memphis, which recorded B. Gospel music was nevertheless using musical forms that were compatible with Christian hymns and therefore less marked by the blues form than its secular counterpart. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. King's singing and virtuoso guitar technique earned him the eponymous title "king of the blues". It uses saxophone or other brass instruments and the guitar in the rhythm section to create a jazzy, up-tempo sound with declamatory vocals. 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